The Old Man and the Sea

Through the Valley of Shadow I Fear not         In Ernest Hemingways, The Old Man and the Sea, Hemingway expresses Santiago to be an esthetical airy of realms between that of sleep and awake. He no overnight ideate of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only woolgather of places right away and of the lions on the beach. They played like puppyish cats in the dusk and he loved them as he loved the boy (Hemingway 25). Through exile and self-awareness, Santiago learns the dead on tar tie meaning of his artistic integrity from his speech with the marlin to his wise wrangle of the ocean, But the elder valet de chambre always concept of her as feminine and as something that gave or withheld great favors, and if she did wild or wicked things it was because she could non help them. The moon affects her as it does a woman, he thought (30). Never to express his notions and feelings by art, he does so as one who has a way with words. Santiago evermore observes the cosmea that takes place around him throughout the novella. A man is neer lost at sea (89). Reveling in the debaucher in which he experiences and sees with the ocean. Whom he calls la mar, being a feminine name for the ocean, explaining that he sees beauty in the sea and an ongoing bittersweet relationship with the ocean. This is truly an artist and ones ad hominem posture battling through the trenches of the mind. Sorting through all thoughts, zip through a mind that contains rivers of divine imagination and creativity attempt to find what combines to make the ultimate expression. Every marionette that comes across Santiago and his journey at sea... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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